A Separation

Watched last night "A Separation," a superb Iranian film written and directed by Asghar Farhadi. A couple seeks a divorce because the wife wants to leave the country to give her daughter a better future whereas the husband wants to stay to look after his father suffering from Alzheimer's. The separation begins a chain of events that is completely involving in its human drama. The acting is uniformly strong: Peyman Moaadi as the husband Nader; Leila Hatami as the wife Simin; Sarina Farhadi as their daughter Termeh; Sareh Bayat as the hired help Razieh; Shahab Hosseini as Razieh's hot-tempered husband Hojjat. Even the minor characters such as Termeh's teacher and Razieh's young daughter are entirely believable.

*

This morning's haiku does not have anything to do with the film. Or does it?


what kind of birds
live in these nests of snow?
they must fly young

Comments

Post a Comment

Popular posts from this blog

Reading Thumboo's "Ulysses by the Merlion"

I've just revised a poem written years ago, a poem that delineates the different responses of four readers, of different generations, to the seminal nationalistic poem by Edwin Thumboo . Thumboo is reckoned to be the first major Singaporean poet writing in English. First, Thumboo's poem, then followed by mine. ULYSSES BY THE MERLION (for Maurice Baker) I have sailed many waters, Skirted islands of fire, Contended with Circe Who loved the squeal of pigs; Passed Scylla and Charybdis To seven years with Calypso, Heaved in battle against the gods. Beneath it all I kept faith with Ithaca, travelled, Travelled and travelled, Suffering much, enjoying a little; Met strange people singing New myths; made myths myself. But this lion of the sea Salt-maned, scaly, wondrous of tail, Touched with power, insistent On this brief promontory... Puzzles. Nothing, nothing in my days Foreshadowed this Half-beast, half-fish, This powerful creature of land and sea. Peoples settled here, Brought to th
Read more

Steven Cantor's "What Remains: the Life and Work of Sally Mann"

Image
Sally Mann, The Perfect Tomato , 199 0 Since it is moving pictures, a film necessarily captures--produces--a process. It turns photographs into the making of photographs. It joins moments ("spots of time") into a Life. This I expected watching Cantor's documentary on Sally Mann's creation of the exhibit "What Remains." So photographs of a long-dead beloved greyhound "lead" to photographs of the Civil War battlefield of Antietam, to photographs of Mann's Virginian farm bloodied by the police killing of a runaway convict, to photographs of decomposing bodies in a forensic study site, as if each group of pictures forms an independent yet preparatory stage in the creative process. What I did not expect to see is the influence of the film-making on the photography itself. Mann begins to think of her exhibit as a "narrative," and wants the narrative of death to end on a more uplifting note. With such an idea in mind, she takes close-up pic
Read more

Goh Chok Tong's Visit to FCBC

Image
I am surprised by how much this incident is affecting me. I thought I have moved past my former religious life, left it behind in Singapore, but like tin cans tied to a dog it has followed me and is rattling me. I am posting the incident, and my response to it, here on this blog, because I want to remember that the past is not yet past. When Emeritus Senior Minister of Singapore Goh Chok Tong visited Faith Community Baptist Church on 13 January during a Sunday service, Senior Pastor Lawrence Khong took the opportunity to deliver a hateful anti-gay message . Among other things, he said: We affirm that the family unit comprises a man as Father, a woman as Mother, and Children. This is the basic building block of society, a value foundational for a secure future, a premise fundamental to nation-building. and warned ominously that We see a looming threat to this basic building block by homosexual activists seeking to repeal Section 377A of the Penal Code.   Examples from ar
Read more